Charlotte Victoria, program coordinator at the Kent Library (and
frequently one of their crafting instructors), will be the library’s
December Artist of the Month. The exhibit will consist of a series of
graphite portraits of characters in the series of science-fantasy novels
about a diverse ensemble cast of mermaids, which Charlotte has been
writing since 2008. An artist reception with snackage will take place on
Saturday, December 14 at 12:30 (this is also Charlotte's birthday, but
don't feel like you have to come, but please do come). Charlotte's work
will hang in the library from December 2 until December 28.
Artist Statement:
The
Undine Isles refers to a series of novels I have been working on since
October, 2008, when I was 17. The starting point at which we enter the
Isles is when the protagonist, Grace Gallo, gets sucked in and becomes
aware that she is now a biologically immortal mermaid, and that she can
never go home to her human life or family ever again.
But
quickly, both we and Grace discover that the Isles are full of vibrant,
diverse, and fascinating womxn who hail from all times and places in
earth history. One of my goals in this project is that anyone could
imagine themselves as a citizen of the Isles. I am in love with the Kent
Library community, who have given me so much love and support, so it’s
very special to me that you are taking the time to get acquainted with
the most important part of my creative life. Thank you. ~CV
Charlotte
Victoria has been a program coordinator at the Kent Public Library
since July, 2018, and has worked here since February, 2016. They are
currently finishing up their Bachelor’s degree in Women’s, Gender, and
Sexuality Studies at SUNY New Paltz, from whence they are set to
graduate in May, 2020.
You can find them online at www.gaymermaidnovelist.com.
Meet the artist of the month, with our art director Amanda Lynne.
Friday, December 6, 2019
Wednesday, October 2, 2019
Patrick J. Cicalo Artwork on Display at Kent Public Library
Necessity may be the
mother of invention, but it is necessity’s child that interests me most. All
too often the cycle of life and art reach an apex only to become predictable
and stagnant. But out of boredom something grows.
Recently, with idle hands and a head
filled with doubt, I took up a project that was partially triggered by a
challenge but mostly on a whim. I needed to add a bit of the random to what I’d
been doing in my photography and fell headlong into the chemigrams you see here.
In simplest terms,
without the use of camera or lens, the chemigram process marries everyday
household ingredients with light, traditional silver gelatin photo paper and
common darkroom chemistry. But perhaps more importantly, a large dose of trial
and error, with the latter being most necessary in giving birth to
REACTANT (2018-2019).
- Patrick J. Cicalo
Patrick J. Cicalo
(b.1957, New York, United
States)
Bio
A photographer in the contemplative
surrealistic style and more recently chemigrams, an alternative camera-less
& lens-less photographic process.
A founding partner of Red Circle
PhotoArts Collective and an exhibiting member of Soho Photo Gallery in NYC.
Current president of Ground Glass, a fine art photography group established in
1975 and based in the Metro NY/Westchester/Fairfield County area.
Website: www.patrickcicalo.com
Instagram: @patrickcicalo
Friday, September 6, 2019
Kent Library's Annamarie Evans Artwork on Display at Kent Public Library
Verisimilitude
By Annamarie Evans
This collection depicts my growth in artistic expression and skill
as I navigate through various mediums. These pieces are an assembly of works
from projects created for art classes I took at SUNY Oneonta, where I recently
graduated after studying Psychology and Studio Art.
During my schooling, I realized that I gravitate towards
compositions that consist of ordinary or mundane items. I appreciate that there
is both simplicity and complexity in everyday objects, and capturing their
essence is a quality that I like to express in my work. In connection to
simplicity, my ideal artistic style is realistic and has photographic accuracy.
Using charcoal on brown paper has been my favorite method for developing
realism as it creates dramatic and lifelike recreations of shadows and
highlights. Watercolor has challenged me to achieve that same ideal, but in a
completely different way, which has been both frustrating and rewarding. It is
much more difficult to create details and be precise with watercolor, but the
vibrancy and texture brings a different element of realism that charcoal
cannot.
Thank you for taking the time to view my art.
Thursday, August 1, 2019
Carole Southall Artwork on Display at Kent Public Library
30" 36" Oil
CAROLE SOUTHALL
Wilton, CT
Carole Southall’s most important
influences came from her youth in Texas and Missouri, especially the
landscapes, and the storytelling artists such as Thomas Hart Benton and Peter
Hurd. She studied printmaking with iconic WPA artist Jacob Lawrence at the
University of Washington in Seattle where she earned a BFA, and a Masters in
Art History. She works full time as Executive Director of Franklin Street
Works, a contemporary art space focused on social justice, and lives with her
architect husband in Wilton, Connecticut.
I Welcome Your Inquiries!
Carole Southall
8 Freshwater Lane
Wilton, CT 06897
website: carolesouthall.com
CELL 203-722-8914
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